{"id":29897,"date":"2024-03-12T15:14:19","date_gmt":"2024-03-12T14:14:19","guid":{"rendered":"https:\/\/collectif-filature.ch\/?p=29897"},"modified":"2025-03-25T09:18:12","modified_gmt":"2025-03-25T08:18:12","slug":"archives-familiales-et-divergence-des-recits","status":"publish","type":"post","link":"https:\/\/collectif-filature.ch\/en\/archives-familiales-et-divergence-des-recits\/","title":{"rendered":"Archives familiales et divergence des r\u00e9cits"},"content":{"rendered":"

[et_pb_section fb_built=\u00a0\u00bb1″ _builder_version=\u00a0\u00bb4.22.1″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb custom_padding=\u00a0\u00bb10px|||||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_row _builder_version=\u00a0\u00bb4.21.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.21.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_image src=\u00a0\u00bbhttps:\/\/collectif-filature.ch\/wp-content\/uploads\/2024\/03\/LASTORERAS_1.132.1_filmbringer.png\u00a0\u00bb title_text=\u00a0\u00bbLASTORERAS_1.132.1_filmbringer\u00a0\u00bb _builder_version=\u00a0\u00bb4.22.1″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_image][et_pb_text _builder_version=\u00a0\u00bb4.22.1″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font_size=\u00a0\u00bb13px\u00a0\u00bb hover_enabled=\u00a0\u00bb0″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb sticky_enabled=\u00a0\u00bb0″]<\/p>\n

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Dans\u00a0<\/span>Las Toreras<\/em>, un film sorti en octobre 2023 et nomin\u00e9 dans la cat\u00e9gorie \u00ab meilleur documentaire \u00bb pour le Prix du cin\u00e9ma suisse 2024\u00a0<\/span><\/a>[1]<\/a>, l\u2019artiste Jackie Brutsche interroge son pass\u00e9 familial. Entre enqu\u00eate et fiction, elle questionne les diff\u00e9rentes versions de l\u2019histoire de sa m\u00e8re Carmen Brutsche, qui s\u2019est suicid\u00e9e en 1987, \u00e0 40 ans.<\/o:p><\/span><\/p>\n

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Carmen Brutsche, n\u00e9e en Espagne et install\u00e9e en Suisse suite \u00e0 son mariage avec Paul Brutsche, souffrait de maladie psychique (probablement de troubles bipolaires). \u00c0 travers des entretiens avec les diff\u00e9rents membres de sa famille, la r\u00e9alisatrice montre combien la compr\u00e9hension de la souffrance de sa m\u00e8re et de ses nombreuses hospitalisations diff\u00e8re radicalement entre sa famille suisse et sa famille espagnole.<\/o:p><\/span><\/p>\n

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S\u2019appuyant sur les archives conserv\u00e9es par son p\u00e8re, la r\u00e9alisatrice lit \u00e0 ses oncles et \u00e0 sa tante d\u2019Espagne des extraits de lettres et de journaux intimes de sa m\u00e8re. Elle confronte avec une grande d\u00e9licatesse les r\u00e9cits des diff\u00e9rents membres de la famille aux traces \u00e9crites et aux dessins de sa m\u00e8re, et fait \u00e9merger ainsi, peu \u00e0 peu, la trame complexe d\u2019une trajectoire de vie tragique, et la mani\u00e8re dont les diff\u00e9rents membres de la famille en ont \u00e9t\u00e9 affect\u00e9s.<\/o:p><\/span><\/p>\n

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Pour affronter les silences et les tabous de ce pass\u00e9 douloureux, la r\u00e9alisatrice appelle \u00e9galement la fiction \u00e0 la rescousse et rev\u00eat le d\u00e9guisement d\u2019un personnage de sc\u00e8ne qu\u2019elle a cr\u00e9\u00e9 : Jack Torera. Le documentaire est ainsi r\u00e9guli\u00e8rement entrecoup\u00e9 de s\u00e9quences o\u00f9 Jack Torera, super-h\u00e9ro\u00efne tenant \u00e0 la fois de Zorro et du personnage de cin\u00e9ma muet, suit les traces d\u2019une femme masqu\u00e9e repr\u00e9sentant Carmen Brutsche. Dans la derni\u00e8re partie du fil, Jackie Brutsche fait appel \u00e0 son univers artistique plein de fantaisie pour mettre en sc\u00e8ne un combat entre Jack Torera et un \u00e9trange monstre. Ce monstre n\u2019est autre que la folie de Carmen telle qu\u2019elle l\u2019a repr\u00e9sent\u00e9e dans un dessin d\u00e9chirant datant de 1986 (voir illustration ci-dessus).\u00a0<\/o:p><\/span><\/p>\n

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Ce film, qui allie \u00e0 la d\u00e9marche documentaire le pouvoir de l\u2019imagination, r\u00e9v\u00e8le combien les traces tangibles du pass\u00e9 sont pr\u00e9cieuses lorsqu\u2019il s\u2019agit d\u2019affronter les non-dits et les tabous familiaux. En reconstituant la vie de sa m\u00e8re, en faisant circuler la parole autant que les \u00e9crits, Jackie Brutsche permet aussi aux r\u00e9cits familiaux de sortir de leur figement, de s\u2019a\u00e9rer et,\u00a0<\/span>in fine<\/em>, de s\u2019apaiser. Elle transforme un mat\u00e9riau mena\u00e7ant par son invisibilit\u00e9 en r\u00e9cit document\u00e9 et imag\u00e9 qu\u2019elle peut s\u2019approprier, tout en lui laissant sa complexit\u00e9, sa plurivocit\u00e9.<\/o:p><\/span><\/p>\n

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<\/a>[1]<\/span><\/span><\/a><\/span>\u00a0<\/span><\/span>Le film sera montr\u00e9 le 19 mars \u00e0 Zurich :\u00a0https:\/\/www.quartz.ch\/fr\/sfp\/Nominationen-2024\/movie\/fr\/2024\/LAS-TORERAS.html<\/a><\/o:p><\/span><\/p>\n<\/div>\n

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Las Toreras est actuellement disponible sur les plateformes suivantes\u00a0:<\/o:p><\/span><\/p>\n<\/div>\n

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https:\/\/www.filmingo.ch\/de\/films\/1727-las-toreras<\/a>
https:\/\/de.cinefile.ch\/movie\/31759-las-toreras<\/a>
https:\/\/www.myfilm.ch\/asset\/toreras<\/a><\/o:p><\/span><\/p>\n

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Photographie \u00a9 Jackie Brutsche\u00a0<\/span><\/p>\n<\/div>\n

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Dans\u00a0Las Toreras, un film sorti en octobre 2023 et nomin\u00e9 dans la cat\u00e9gorie \u00ab meilleur documentaire \u00bb pour le Prix du cin\u00e9ma suisse 2024\u00a0[1], l\u2019artiste Jackie Brutsche interroge son pass\u00e9 familial. Entre enqu\u00eate et fiction, elle questionne les diff\u00e9rentes versions de l\u2019histoire de sa m\u00e8re Carmen Brutsche, qui s\u2019est suicid\u00e9e en 1987, \u00e0 40 ans. […]<\/p>","protected":false},"author":1,"featured_media":29900,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"footnotes":""},"categories":[7],"tags":[],"class_list":["post-29897","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-actualites"],"yoast_head":"\nArchives familiales et divergence des r\u00e9cits - Collectif Filature<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/collectif-filature.ch\/en\/archives-familiales-et-divergence-des-recits\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Archives familiales et divergence des r\u00e9cits - Collectif Filature\" \/>\n<meta property=\"og:description\" content=\"Dans\u00a0Las Toreras, un film sorti en octobre 2023 et nomin\u00e9 dans la cat\u00e9gorie \u00ab meilleur documentaire \u00bb pour le Prix du cin\u00e9ma suisse 2024\u00a0[1], l\u2019artiste Jackie Brutsche interroge son pass\u00e9 familial. 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